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Name: kmfrontain
Location: Quebec, Canada

I write. I edit. I publish. I'm on Lulu as a self-pubber. I worked as an associate editor for Wild Child Publishing and Freya's Bower for over a year. Now I do book covers for them.



Monday, May 29, 2006

More on the Truss view of punctuation

"...italics should be used sparingly for the purpose of emphasis -- partly because they are a confession of stylistic failure..." From Eats, Shoots and Leaves.

Pffftt! I say pfffttt!

Ok, so italics are a confession of stlystic failure. Really? Well, darn. I'm so upset. I am
really upset.

Actually, I don't care. Italics are useful. If I want a reader to know a character is placing emphasis on a certain word, then I want the reader to know, and italics are great for this. Sparingly? Sure, I can live with that, but I completely pfffttt! the 'confession of stylistic failure'. She was so emphatic about it! Well, gee.

But back to my comma-itis. There was always this certain type of sentence that irritated me, because I knew an extra comma was needed, but I didn't want to put it in. My reason? Darned big comma crowd, that's why.

Example:

The dog was barking and growling, and since he was habitually a bad dog, his owner was angry with him.

Example should technically be:

The dog was barking and growling, and, since he was habitually a bad dog, his owner was angry with him.

See the difference? Extra comma after the and. Why? Because there was a little clause after the conjunction, a clause not entirely necessary to make the sentence complete. Here's the sentence without the clause:

The dog was barking and growling, and his owner was angry with him.

Why the comma in front of the second and? Basically because that and didn't belong with the first part of the sentence (the dog's part of the sentence -- belonged more to the owner's part of it), and so a separation was needed. That comma was like a traffic signal saying 'yield to a new sentence subject'.

I use the first example regularly, because the meaning is still clear despite the imperfect punctuation. Sometimes I put no comma in front of the conjunction, and only enclose the clause in commas. Like this:

He was tired and, because he was tired, couldn't think well.

In this case, you can see that we have the same subject throughout the sentence.

Truss's book helped me see why exactly I fussed about these sorts of sentences. It is, in my case, a matter of preference that I ignore a comma after a conjunction, because I don't like comma crowds. If the meaning is clear, then it doesn't hurt the reader to have one less traffic signal.

But darn! about those italics, eh?

Sunday, May 28, 2006

Possessive apostrophes as I see it, at the moment, maybe

I rechecked all my files, and it seems I did follow a certain standard. I've edited so many books now that I get confused at times as to what standard I'm currently following, because I'm regularly changing my mind about them, hence buying Lynn Truss's book. And yet I'm still changing my mind despite the book -- rolls eyes at herself. Truss brings up interesting points, see.

But this is my current standard for possessive nouns ending with an s: words like goddess's and mistress's get the full apostrophe s, but the name Sticks in the possessive form is just Sticks', because I don't generally say Sticks's with the extra syllable. And there it is. I found some words during the s' search showing a deviation from my standard, and I fixed them. Also found some s' that should have been just s, but they were few and not worth a complete update of all books just yet. I'll wait a bit and see what else the Truss book inspires me to fix, remove, ignore.

A sale

Gryphon Two left the storefront today. Thank you to the buyer. :D

This was another ebook. It seems I'm selling ebooks primarily. The good thing about having separated ebooks from print books is that I can now tell at a glance what book format was purchased.

For those of you just passing through Blogger and hitting my blog, I have free stuff on line for you to download, and also serial fiction to read. Visit my home page for the details on reading Beast in Beauty on Erotic Dreams. There's a new installment coming up beginning of June. Visit my home page as well for the download sites of two of my ebooks in The Soulstone Chronicles, and visit my other blog for the serial fiction Tristan (warning NC 17, homoerotic content).

Thank you again to the buyer of Gryphon Two.
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And the battle for apostrophe placement continues

Still been having a good read in my bathroom -- the Lynn Truss book, Eats, Shoots and Leaves. I'm not actually reading in any particular order, at the moment. Just grab a section that interests me and off I go. Uh... Don't read anything into that.

Ok, so apostrophes. I was hoping for some more on the irritating proper name ending in an S situation. And what has she? A preference for adding a complete possessive, the apostrophe and the S, as in Bess's books. Not Bess' books but Bess's books.

Now I tend to agree with her on that, though I haven't done it in my big edits and all my books are published in the style of Bess' books. Why? Because, just as in her book, I've had near violent replies or seen near violent (emotionally) forum threads about how stupid are authors that use the full 's.

It's not stupid to put a full 's. Why? Because it's a modern, well-known rule of grammar, and those that say it's not are full of shit. It's just their preference they're barking about. It is. But I didn't fly in the face of their vehemence, because, I suppose, I'm a chicken.

Here's how I see it, though. If I were to say naturally a proper name with an extra syllable if the name 'possesses' something, as in Bess's books (pronounced Besses books), then I would add the full apostrophe 's -- if this were a world wherein emotionally violent proponents against this practice didn't exist. But it makes sense to me. If you say it that way, it should look that way. And that's how I'd do it if I weren't a nervous little cluck in the big hen house.

Truss does have more erudite rules for this, most of which I shall never bother to remember, or because it's still a matter of preference, but I wish I could go back and republish all my books the way I'd like them, with the apostrophe s in the correct place for Goddess's power and not Goddess' power, or, as in my character Sticks, Sticks's power. But I'm not going to, because it's too much of a bother. But now you all know how I feel.

And how do you feel about it? Did you know it's fine if someone writes Bess's books? Or do you rant at such persons daring to use this perfectly acceptable form?

Friday, May 26, 2006

Lynne Truss' remarks on semicolons and colons

This excerpt is from Eats, Shoots and Leaves by author Lynne Truss, the chapter Airs and Graces:

"... Using the comma well announces that you have an ear for sense and rhythm, confidence in your style and a proper respect for your reader, but it does not mark you out as a master of your craft.

"But colons and semicolons -- well, they are in a different league, my dear! They give such lift! Assuming a sentence rises into the air with the initial capital letter and lands with a soft-ish bump at the full stop, the humble comma can keep the sentence aloft all right, like this, UP, for hours if necessary, UP, like this, UP, sort-of bounding, and then falling down, and then UP it goes again, assuming you have enough additional things to say, although in the end you may run out of ideas and then you have to roll along the ground with no commas at all until some sort of surface restistance takes over and you run out of steam anyway and then eventually with the help of three dots ... you stop. But the thermals that benignly waft our stentences to new altitudes -- that allow us to coast on air, and loop-the-loop, suspending the laws of gravity -- well they are the colons and semicolons."

She then quotes a Virginia Woolf passage to show us the thermals. But she's amusing, ain't she? It's this sort of style, that explains and at once shows, that makes the reading interesting.
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Thursday, May 25, 2006

My books for me have arrived

Eats, Shoots and Leaves arrived, along with my new dictionary, a Websters 2005 edition with CD, and also Bernardin's homecanning book. And I've already loaded up the CD dictionary. Yay! If I can't find what I want directly on my harddrive, it's back to the clunky paper model.

Eats, Shoots and Leaves seems to say pretty much what I already know about commas, and interestingly, admitted that sometimes the choice of punctuation is as much a matter of taste as rules. So... This means my comma-itis is not definitively cured. It's on ongoing condition. I shall just have to cope with my ever changing idea of when I like to see a comma. Best thing about a comma: if it is used right, it can clarify a passage. So that's my personal rule: use one if it keeps the meaning of the sentence clear.

I'll let you know more about Eats, Shoots and Leaves as I read it. :D
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Update

I'm still on the big edit of Redemption Two. I was up to chapter three, but then went back to chapter one and weeded some stuff, and I'm glad I did. It is my intention to weed until I've plucked all discrepencies and planted good ground cover in the cracks on the path. So. Still a few months to go before I get this done, especially at the rate I'm going, creeping on my knees and peering in every crevice for snails and slugs and ant nests, and whatever is in the way of a nice read.

Tristan is up to part eight on my other blog. Next we see the boys, they'll be young men. And the rough stuff will really commence.

Other than that, I've done nothing else literary. I've set aside all other work to get Redemption Two spruced up.

The garden reference. I've got the lawn on my mind. Did I mention the Mother's Day lawnmower? No, I didn't. Well, this happened to be our big purchase on Mother's Day, and since my overworked husband already moves his ass all day long to get things done, I've become the lawnmower maid. Yeah. I really love my lawnmower. But hey! The elements love me, because it's raining again. Hee hee!

Hullo, keyboard. Did you miss me for my all of a few minutes away to check the window for the weather? Well, I'm back and the lawnmower is growling futilely in the shed. Let us celebrate! Tea, cookies, and on to the next chapter. ::bad girl grin::
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Tuesday, May 23, 2006

A sale and a thank-you

Disposition One sold today. Thank you to the buyer. Hope you enjoy it. :D
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Monday, May 22, 2006

Fairies, banking, and a foster brother with Greek ancestry who's too scrumptious to leave alone.

I have seven parts of Tristan up on Livejournal now. Below are the links for those of you interested in a fantasy set in 1800's Britain. Warning: homoerotic content.


Part One
Part Two
Part Three
Part Four
Part Five
Part Six
Part Seven
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Sunday, May 21, 2006

Big Yay!

Two Bound in Stones (Volumes Two and Three) sold today. That's my first of the earlier set in a month, and I'm much relieved and happy to see them going out of the bookstore.

Thank you to the buyer. Hope you enjoy them. :D
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Saturday, May 20, 2006

For me, for me, books for me

Ordered from Chapters.ca: Random House New World College Dictionary, 2005 ed. with CD, a copy of Eats, Shoots and Leaves, to definitevely cure my comm-itis -- I hope, and a copy of Bernardin's new home canning book with 400 recipes.

I thought of buying Strunks and White for grammar, but damned if I could get my brain around reading another text-booky treatise on grammar. I'm so tired of reading them, and I already have an on-line version of some of Strunks and White, and it didn't cure my comma-itis. So I picked the one with the oddball title instead. I shall no doubt be reading it in my reading room, the bathroom. It shall replace my copies of Discover Magazine for a while.

What? None of you read in the bathroom?

Oh, you do, but it's not Discover Magazine. Right. My dad used to read comics there. Took him hours to get out.

Uh huh. So this implies Discover Magazine makes one emerge from the reading room quicker, you think? Maaaybe...
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Friday, May 19, 2006

Thank-you notes on Lulu

I'm reposting this from Livejournal.
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You know, Lulu has this feature to make thank-you notes that will be sent to anyone buying a book. It uses a designated email address that the author puts in, uses the author's composed thank-you note, sends to the buyer automatically upon the purchase of a book, presumably via the buyer's designated email address, but it's entirely private in that the author doesn't know to whom the email is sent. It's an automatic function.

On the Lulu forums, when this feature was first introduced, there was concern that buyers would freak that they received an email direct from the author, and that it would seem they had no privacy. And so I didn't bother with the feature. I have always put my thank-you's on my original blog on Blogger, still do. It's very anonymous for the reader, especially since I have no idea who buys my books, but everyone knows this when I use Blogger, whereas using this Lulu thank-you feature confuses the buyer privacy issue.

What do you all think of this? Was it a good move to stick with my thank-you's on Blogger? Or not?
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A Redemption One sold

A Redemption One sold today. Thank you, reader. :D

Update: I've finished editing chapter one of Redemption Two and I'm half way through the second. Five parts of the Tristan novel are up on my Livejournal, if anyone wants to read this. See my sidebar for the link. I shall post another installment soon. I just purchased Eats, Shoots and Leaves to permanently cure my comma-itis, I hope. I also ordered my new edition Random House Dictionary, with CD. I truly hope the cd works. That will take one thing off my desk, although I may miss my big red elbow companion. And my little treat for me, the latest home canning book by Bernardin. They have tested, tasty recipes. I should have the books in the mail soon. And that's about it for my update.

Thanks again to my reader. Hope you enjoy the book. :D
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Thursday, May 18, 2006

Where to find my work on line

The free to read ebooks from The Soulstone Chronicles are available for downloading on Memoware, or with Savefile, here and here.

I have a serial story on Erotic Dreams Zine, titled The Beast in Beauty. The Zine has free membership. Reviews are welcome and posted anonymously once approved. Two parts of my story are up and a third will be posted in June.

And of course you can read Tristan here on my Livejournal blog. :D

For quick access to excerpts from books in Soulstone, look through my memories on Livejournal. For those of you unfamiliar with Livejournal, you can find my memories by clicking on the tiny heart symbol near my rather Freudian avatar (man with the gun over his "ahem"). And if you are on a page with one particular post, you'll find the same little heart just above the post in a toolbar with arrow icons, and a few other little thingies.

I'll be adding excerpts that I have posted here on Blogger to LJ and putting them in my memories as well.
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Wednesday, May 17, 2006

A little Redemption Two excerpt

It's posted on Livejournal as well. This excerpt is subject to rampant editing and tweaking, and whatever, but you should see the book up on Lulu in a couple of months, barring unforeseen real life stuff to wade through, summer being one of them. Summer means outdoors with kids and doing lifeguard duty. No computer outdoors, you know. Means no editing, no on line.

Anyhow, here's the excerpt, no content warnings.
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Within the sumptuously furnished house of an Amek magician living in Stohar, seated on a sofa inundated with bright and cheerful cushions, the former housekeeper of the Gryphon Prince mismatched her colourful surroundings. This was not so much because of her apparel, which was relatively proper and dowdy, but by reason of her actions. The housekeeper, Jenna, sniffled morosely, wept abysmally, if silently, and imbibed in a shocking quantity of nerve steadying whisky, for she had just learned that to wed a god did not guarantee a state of matrimonial bliss. If there was such a thing.

In her case, marrying a god had offered her glorious bouts of sexual ecstasy, but heavily interspersed with longer interludes worrying over her problematic spouse. The pleasurable aspects happened far too sporadically for her tastes, not to mention there was already an interloper intruding on her rightful domain, and a man at that. She supposed she would have been angrier had her husband taken up with a mistress right off, but since he had the excuse of an attraction to his own sex, she could concede that he perhaps required from a man what she couldn’t give him. She’d come to grasp these facets of her new marriage well enough, but her husband, who seemed to have no clue just how divine he was, had up and turned her into a snake.

Well, she wasn’t quite a snake yet! But she was going to be, and her divine fool of a spouse was consequently terrified of her.

These thoughts naturally brought on another outburst of tears and the need for more whisky. After imbibing of her medicine, Jenna returned to agonizing over her induction into the ophidian order and how to appease her husband’s horror of it, but as she was muddling through her problem, a bright flash by the door startled her from her misery, for someone had just walked through the golden ward protecting Shidush’s house. She turned her head, to then gape at the god standing just within. There was no brilliant bronze armour on this occasion. No, this time there were rough woollen trousers and boots with curled toes. A white fur cape rested over a bare torso and a thick, ugly scar twisted down the left arm. The hair hung well past the shoulders, its condition unkempt, but recognisably the honey gold of a certain gryphon heritage.

“You are not Qa’Alir Ureil Tyr,” Jenna said flatly.

“I’m his father,” the god informed her, thereby claiming his status as progenitor to the Ulmeniran line that carried his golden colouration. He stepped forward to confront her, his eyes just as piercing a blue as those of his divine son’s and his distant human descendants. The face was exactly the same as that of the aforementioned offspring, and also of the mortal Prince Ugoth.

“Don’t you find it annoying that they all look exactly like you?” Jenna said with an air of complete indifference. He didn’t answer, instead knelt on the vibrant Amek rug at her feet. He set his hands on her abdomen and he stared at her, stared as if he saw something he wanted to have, whether to rape or to eat, she wasn’t certain.

“You carry his daughter,” he whispered. His words broke from his lips as if they awed him. She blinked at him, the alcohol in her blood making her a soft, loose creature that but waited for the world to happen. She made no response to his touch or his words. “She will be beautiful,” he pronounced. “You are beautiful as well.”

That caught her. She stared in surprise, then burst out laughing. “Are all the gods such liars?” she said.

“You think I lie?”

She nodded and put a hand to her mouth, still giggling over the blatant falsehood. He pulled her wrist away, lunged up and kissed her. She squeaked in astonishment. Neither was aware of the silent figure staring in at them through the great mirror, nor did they notice the one that had staggered out of the bedchamber above to glare down in utter fury. In his hand he carried a dagger.

“Off!” that someone thundered.

The gryphon god jerked away, snarling in pain. Jenna gaped at his shoulder. A dagger was there, up to the hilt in his flesh. The point came out the other side. Ureil Tyr turned to face the one that had attacked him. His glare was piercing cold, but there was a strangeness to the jewel tone. He seemed to fixate on Jenna’s convalescent husband the same way he had on her, as if he saw something he absolutely must have.

“If you don’t want them toyed with, you shouldn’t leave your playthings lying about!” he snapped.

Herfod made a livid curse in response. Turning her head, Jenna saw that he was in danger of collapsing already. His legs shook uncontrollably. She lurched upward, only to have the gryphon god shove her back down.

“You will heal me!” he said to Herfod.

“With what? I’m practically dead! Come up and finish me off, you poacher!”

“I will share,” Ureil Tyr said coldly. “You will take from me and then give enough to heal this nuisance injury.” He turned and stalked up the steps.

Jenna darted up from the sofa a second time. “Get away from my husband!” she cried.

Ureil presented her with the most cursory and contemptuous glance before redirecting his attention toward the man that she had named her spouse. “She’s a beautiful creature,” he said, his words at odds with his brief inspection. “Odd that she doesn’t seem to think so.”

“She’s used to seeing herself as old and plump,” Herfod answered.

Confused by their apparent lack of real animosity, Jenna paused, noting that now Herfod was on his knees, unable to stand any longer.

“I like plump females,” Ureil said. “They’re very pleasing to the touch.”

“Just don’t touch that one again!”

Ureil grimaced and pulled the dagger from his shoulder. His life fluid ran as red as any man’s, Jenna at first thought, but then she saw a strange glint to it here and there, as if something metallic and colourful collected within the rivulets pouring down his skin.

“I’m not likely to forget the punishment for such poaching,” he replied. He dropped the bloody weapon and continued along the landing, to kneel at Herfod’s side. “But I am envious of you. She’s going to be more beautiful soon.”

“Go drain your own damned naga and put it in a woman!” Herfod replied.

“Is that what you did? You put naga in her? Why didn’t I think of that?” the Gryphon said, dumping loads of sarcasm into the air, and there was an impression he was blaming Herfod for something. What that might be, neither Herfod nor Jenna could begin to imagine.

“You were too busy rutting with every female you could get your claws on perhaps?” Herfod rejoined.

Ureil smiled at the insult, but his eyes glinted with resentment. “You could have made this easier on us all.”

Herfod frowned in surprise. “What do you mean by that?” But the Gryphon shook his head and pulled him into his arms. A white glow erupted from his flesh and sank into Herfod, who shivered and tried to draw away.

“Heal me!” Ureil demanded. He jerked the slighter man closer and pressed his lips on him. Herfod, his eyes wide with bewilderment, consequently saw Ugoth reach down and drag his godly ancestor off.

Tuesday, May 16, 2006

More on shipping from Lulu, to US destinations

In the earlier post, you see my rough shipping cost of three print books in the Bound set to my area of Canada. Here's what you get as shipping costs if you are in New York city, let's say:

One book, shipping and handling US regular postal media: $3.06
Two books, same shipping method: $3.64
Three books, same shipping method: $4.21

See that? Buyers in the US, shipping costs are small, feeble, not a strain on the pocketbook. Buy! Buy! Buy!
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Monday, May 15, 2006

And it's done. My print book prices have been lowered.

Today I went through my storefront and unclicked the ebook options attached to all the print books. Don't worry. You that have bought any of these ebook versions still have access to them in your purchased items collection.

And to explain why I did this, it was to lower the print version cost to the consumer without reducing my ebook prices, all of which have stayed the same price in the ebook format versions.

And what does this mean behind the scenes for me? I get a sucky royalty for a print book purchase. Yup. But I don't mind if my books start going onto shelves. This is why I separated ebooks from print books, to make this more possible.

But you may have noticed Bound One and Gryphon One have not changed too much in costs. This is because both are on Amazon, and because they are on Amazon, I am bound to a higher price to account for their enormous cut. And naturally Lulu wants to keep its cut as well. (Not only do they get a percentage of my royalty, they get a flat print rate that's a bit on the steep side. But hey! It's POD, don't you know? Until more companies come out of the woodworks to challenge Lulu with better deals for the same fair services, then Lulu is going to get away with this steep flat print rate before page costs. End of small rant.) So what's this mean for me if you buy this pair of books from Amazon? I get a wondrously heart-warming 5 cent royalty each. Yup. 5 cents.

It's better for me if a reader buys from Lulu, naturally. I don't know if Amazon shipping costs will be any better for a purchaser either, because free shipping doesn't count if you add one of my books to your cart on Amazon.

If you buy from Lulu, and buy more than one book, the shipping rates do get better. For example, international express for all three books in the Bound set reduces down to $15 approximately to my location in Canada. It was $12 shipping for just one book, see? And 15$ for three. So. If any future reader wants to get a set of books, or two, you get better prices for shipping from Lulu the more books you buy. And since I was able to lower the cost of the print version books, that makes it easier for the readers that want my series on their shelves. I hope. (Please see my later May 16 post for shipping costs to the US, which are very small in comparision.)

Ok, end of that long update. On a good note, I had one person comment on Livejournal asking if I have more of Tristan coming. I do. Nice to see that someone wants to read more of it. :D

Second part was put up today if anyone wants to read it. See my sidebar for the Livejournal link.
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Sunday, May 14, 2006

More of Tristan

I've decided to use the Tristan novel for promotional purposes, and so I will be publishing it as a serial piece on Livejournal and various places, and hopefully this and Bound in Stone will drum up more interest in my already published work. When I'm done publishing Tristan in bits and pieces, I'll be putting up a print copy on Lulu as well as a complete ebook copy with any and all updates, final edits, plot fixes that I do by then. This will be a work in progress until it's all posted, and so you are likely to see all my goofs and whatevers as I go. :D

First post is already up and there's more in it than I published on this blog previously. Link is below:

Tristan: part 1/?


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Lowering the print version prices

http://kmfrontain.livejournal.com/7291.html?view=22395#t22395

That link is to a post with comments that I started on Livejournal about lowering my print version prices. To do this, I do have to remove the ebook option from the print version books. I have to separate them into different sales items. But some of you were concerned, and me as well, that you would then not have access to your ebooks that you purchased. I was told by a Lulu staff member that all ebook purchases are permanently available to person that bought them, and this seems to be the case according to one of the comment responding to my Livejournal post. So, please read the original post, and be advised that I plan to remove the ebook option from the print books within a few days. That way I can lower those print book prices at last. The only way to do it is to cut my royalty, which I don't want to do for the ebooks or I undervalue them.

OK, comments please, if you have any concerns.
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Friday, May 12, 2006

Reader reviews welcome on Erotic Dreams

I'm reposting this direct from the Erotic Dream Livejournal Community, just a little reminder to those of you who already have memberships to the Zine. And for those that don't, membership is free. See my sidebar for links to Erotic Dreams.
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We've set up a system for readers to post short reviews of the stories appearing in Erotic Dreams. Just log in and go here: http://www.eroticdreamspublishing.com/EroticDreams/storyreviews.php

The reviews page can be accessed through the main page, the main fiction page, and each individual story page.

Rules for posting a review:

We are looking for honest opinions on the stories and poems posted in Erotic Dreams. If you liked it, why did you like it? If you didn't like it, why didn't you like it?

What drew you into the story, or jarred you from the story? Do you want to read more from the author? Does the plot keep you enthralled and wanting more? Could you get into the characters?

Please don't write such things as "That sucked. Shoot the author." Those kind of reviews will be deleted. If you don't like a story, explain why.

If you already know you are predisposed to not liking a story, please do not review it. Which means if you don't care for m/m fiction, or f/f or het, or BDSM, or whatever, please don't review those particular types of stories.

You don't have to give a rose rating if you choose not to. Simply fill in your review and bypass the rating box.

If you would like to say something that involves more than 200 words, please send us an email with the story name, rating, and review.

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Little addendum: all reader reviews are posted anonymous once approved by the site owner (managers). So feel free to speak your piece without worries. :D

Wednesday, May 10, 2006

And another sale.

One more Redemption left the storefront this evening while I was watching Hex. A thanks to the buyer, and I hope you enjoy the novel. :D

Yes, Hex. It's a British made series playing on the Space Channel. Has a bitchin' fallen angel by the name of Azazeal. Beautiful man. And you know I just had to make up a story using his face for a character, and then just torture the emotional shit out of this fictional person. The actor is gorgeous, and I have a thing for gorgeous, and also for making up characters that are emotionally incomplete, such as Azazeal in Hex, and then give them some judicious poking to make them have much needed moral repairs. Well, then... Actor's name is Michael Fassbender, in case you want to check out him or the series.

Ok. Thanks again to the buyer of Redemption One. :D
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A sale today. Yay!

My first sale in many days, another Redemption One. Thank you to the buyer. :D

Update on what I'm doing lately: I'm on part eight, 23k words of The Pearl for Erotic Dreams. The parts are all in the 2500 word range, roughly. I'm almost done another proofread for Torquere, which I promised early (May 15), so I must move my butt on the last fifty pages. Oh, but I have five days still. Won't move my butt too fast. Don't want a skid burn.

And that's about it for news on the writing front.

Thanks again to the reader. Hope you enjoy the novel. :D
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Tuesday, May 09, 2006

Semi-colonitis

Bernita (see my side bar for her blog address) has a nice set of recent blog posts with comma rules. You should check them out. I posted a little notice on ERWF saying this to the forum members, and a discussion ensued about various personal difficulties with commas, and then someone asked about semi-colons. And there aren't many rules about semi-colons in the text book, this is true, but there are some, and then... Then there's style when using it. I see too many authors using it to the point that it's almost a lazy way to avoid the use of a capital letter. So... Down below is my post from ERWF in answer to a question about when to use the semi-colon. After that is my little definition of comma splices.

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For the semi-colon, it should only be used if the two joined parts (sometimes the parts are complete sentences) are so interelated that other punctuation doesn't show the interelation as well as the semi-colon. If, however, it's just as easy to read, in the case of two complete sentences, with period and capital, use the period and capital.

Dashes of any sort follow the same rule, except that they apply more to inserting a closely related concept (or an aside) that one could have put in parentheses (see this) but you just happen to hate parentheses (hate them, hate them) and so you use an em dash or en dash -- it's nicer to look at sometimes -- and that's really the only reason not to use parentheses. It's a case of personal choice with regards to parentheses, em dashes and en dashes.

But the semi-colon is overused in the extreme. It is not for an aside, though I've seen it used for an aside. It should be used only for closely related phrases and sentences that are virtually inseparable, except that you must have some sort of punctuation, otherwise you might end up with a comma splice. But like I said; if it sounds as good with a period and capital letter, then it doesn't need to be used. Most of the proofreading corrections I've made for Torquere manuscripts for this were made because they sentences were not so closely related that a period and capital could have been used.

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Just a little addition for those that aren't sure what a comma splice is. It's this:

Doug went to the store, the store wasn't open.

Should be:

Doug went to the store, but the store wasn't open.

Or:

Doug went to the store. The store wasn't open.

The following is bad, bad, bad:

Doug went to the store; the store wasn't open.

Anyone seeing this should replace the semi-colon with a period and capital. Putting in a semi-colon to fix a comma splice is pure laziness.

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Saturday, May 06, 2006

Kay Derwydd has a scavenger hunt.

Hey, here's a contest a fellow author of homoerotica has put up on her site:

http://www.geocities.com/kay_derwydd/contest.html

So...go hunt. Hunt, all you slash-addicted gals/guys out there. There is smutty reading to be won. :D

Thursday, May 04, 2006

The Pearl

I already posted this on Livejournal, but here it is for Blogger folks. Latest draft, mind. For those that just happened upon the page, this is an excerpt from The Pearl (working title), a requested story for serialization on Erotic Dreams Zine. I have a serial piece already on the Zine (two parts published), so check it out. Membership is free. For those of you with memberships already, but who may not have gotten a notice, the site suffered a password catastrophe. All passwords were lost, so if you didn't get the notification email, contact the site owner for your temporary password and/or username. Usernames weren't lost.


The plot I had in mind for The Pearl changed during the transit from head to keyboard to screen. I do that a lot, start with a basic idea, and then just ride the wave wherever it takes me. Works for me. Only problem with this approach to writing is I have to do a thorough fact checking to make certain I didn't annihilate any logic in the previous sections. Little rocks I don't want to crash into before I reach the shore. :D

Content warning: hints of violence and death


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The aftermath of his family’s destruction, there were only smells and cold touch; the soft grasses he crushed, stumbling and crashing onto earth, the sweet scent of herb blood, but not the verdant green he could only see in the bright light of day. It was before the bright light of day, or just after. Time had gone, become the deep grey, the almost black of a night with, perhaps, a moon in the sky. His sister called it a splendid pearl, the moon. Pearls had ever been so small that he could barely see their smudge on his palm, and never the perfect luminosity of white that she described. No use looking skyward. The moon was smaller than a pearl to him, and he could not hold it. If there was nothing to touch, there was nothing to feel, nothing to care about.

“Kimiko!”

Gone. Gone with the last cry from her throat. His things, she’d gone back to fetch, his things that he’d left behind, too panicked to think of them until she’d dragged him stumbling from his lonely cloister and out into the world. It had been green and brown then. There had been light. Colour. There had been the smell of her perfume in his nose, the flowers and the musk, the bright expanse of rose silk floating to his side. Rose silk that had been his sister. Gone.

She’d left him crouched in deep grass that grew taller than his head, and he’d heard the scream, understood the end of his sister, listened to the horse riders thunder past him without discovery, and remained frozen in the world for hours after. Until the grey had come, and then the near black of a moon night, until time had seemed to end. Then he had set off in the direction of the cry, his sister’s last cry. He hadn’t moved from his position once before then, not even his head, so that he wouldn’t forget the direction to turn.

He’d commenced the journey walking, but after the last tumble, he had begun crawling, and it seemed a crawl of aeons. Smells, feels, crushed grass scent, grit on his palm, rocks cutting into his knees, horse manure stink, metallic odour of her blood, sharp smell of his sweat, flower perfume, a spicy musk in the breeze. Silk. The aeons ended in a handful of silk.

“Kimiko,” he breathed. In her hands, his flute, his prayer beads, the means through which he’d cursed her to a certain death. “I should have stood up and let them murder me as well, but I was a coward. I was a coward!” He choked on grief, set his head on her motionless bosom. None of the beautiful rose. Just the endless wash of bleak darkness. “Useless blind son! Useless! I can’t even die like a man!”

To feel her face one last time before he died. Just to feel her face. The prayer beads weren’t strong enough to throttle him, but his sash would do well enough. He didn’t need a tree. He just needed his determination, and he would end what had begun useless and remained useless.

“The only thing I ever did for you was to kill you, Kimiko,” he whispered, “when I sent you back for these unimportant things. I understand now. I should have died long ago. It’s over now. I won’t be selfish anymore. I’ll be strong enough to choke the life from my own body. But I…I just want to touch your face one last time. Forgive me that I don’t deserve even this, but I…must…”

Fingers on wet. Fingers on wet.

The sound that came from him was a whimper and a gasp at once, breath coming in as a great intake of horror. No face, no hair, no head. Her smile had been taken from him, her lips gone, her nose gone, her cheeks, her chin, her perfect smooth forehead. There, under his fingertips, only a truncated wetness of neck and bones and blood.

He screamed, and the wail echoed back to him from the great beyond that in daylight was an expanse of brown washed with grey. Rocks above. Rocks below. His cloister tucked into a sheltered copse between upper and lower ridges. His graveyard in which he would die next to his sister, whose head he could not find, though he scrabbled and reached, and crept about searching for it. No use. They’d taken it, a trophy for the warlord that had ended his family without ending him. Because he’d been a coward and hidden in tall grass.

“Oh, Kimiko! Oh, Ancestors, no!”

He found her body again, clutched an ankle and shivered in the dark with his forehead on her leg, breathing in, breathing out, waiting for the shaking of his body to cease. After a time, with the world becoming a lighter grey around him, he straightened from his crouch. He worked the sash from off his waist, wrapped it around his neck, and began the tightening to end his life.

Courage. Just a little more courage and nothing would matter any longer. If there were a place for the dead after life departed body, then he would know it soon, or have the comfort of oblivion.

He wrapped one end of the sash around his foot, the other over a hand, and spread his body—head back, leg extended, neck squeezed. The dizziness began, and the darker shadow that had been lurking to the foreground for a time now moved. He was already too choked to make a cry of surprise, but he had the strength left to struggle with the hands that interfered with his intentions.

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Wednesday, May 03, 2006

Browser font horrors

I typically use Netscape to browse the interent, but it so happened that today I was using Internet Explorer, and what did I see upon checking the state of my blog? A massive ugly blue, computerish font for the download here advert. It doesn't look that way at all on Netscape. It's smooth and pretty on Netscape.

So I fiddled with the template whilst using IE, but what do I still see? A huge space between my series promo picture and the blog title. I know for a fact that if I fiddle with that, then my Netscape version of it will have the blog title covered the next time I look at it. Guaranteed. I had my blog title covered halfway by that jpeg before, and didn't clue in for days, and it was IE's fault that it ended up that way.

So now I at least have a nice looking font for the download advert, but still have that huge gap between jpeg and blog title in IE. Oh, well. Annoying, but I guess I must live with it.
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Tuesday, May 02, 2006

Again with the invisible word advice

http://writingcraft.deep-magic.net/article.php?id=43

It came up somewhere... Oh, yes. On Bernita's blog, in the comments, there's a link to an article about big SF writing no no's. If I spent the time to write a similar article, I could have written a few chapters in a story already. Anyhow, it's amusing to read, and filled with warning flags that are of some use. Try not to get depressed if you've blundered into some of the no no categories. Every advice should be used to better your craft, not stall it in its tracks. Anyhow, here's the link to that site:

http://www.sfwa.org/writing/turkeycity.html


Ok, so the Turkey thingy had something about said bookisms, along with the typical exuse that said is invisible (Haa ha ha ha ha! An invisible word! I'm still laughing.) Yeah. Apparently readers stumble over any word but said, because the other words are too hard on all their little minds. Yes. That's right. Let's not bludgeon our poor readers with a full use of the language. They obviously can't appreciate it. (Sarcasm, folks!)

Ok. So tonight I went wandering about looking at said bookism stuff again, and found the above site at the top of the search. And it's all helpful advice to a beginning writer, but you all know-- who have read my work-- that I've said "F--- it" to the advice about said bookisms. Yes, I use said bookisms all the time. Yup.

First off. Said isn't invisible. It's not. It's there in the text of every manuscript and it stands out like a sore thumb after a while if it's used in exclusion. Said, said, said. See how well you can bore me with nothing but said as your speech tag. Somewhere in the recent history of writing, almost every speech tag but said got a bad rap.

Now there are some valid reasons for that. One of them is the use of non-speech words to show speech-- like laughed. Huge tracts of "Oh, hi!" he laughed, or some silly nonsense like it. That won't do. You don't talk when you laugh. Think about it. It sounds like this: "Oh, ha, Hi, ha ha."

But then you get instances where you really really need to show a certain level of character quality, and then a bookism is fast and easy. First chapter Redemption One, I have an erupting silversmith. Yup. He's loud. He's really loud. And I wanted him erupting. So I took a said bookism. I took more than one. It let me head along to the rest of the plot without plodding into huge endeavours to show this fellow erupting in some other writerly and brilliant manner. Hell, if a said bookism can work for a scene, and free your writing up for something more important to focus on, use it. That's my advice, but don't overuse it. Definitely not.

Ultimately, you've got to ask yourself: dare you inundate an editor with mounds and heaps and mountains of said bookisms in your manuscript, mountains that they'll think are so much manure? You've got to ask this. And if you have to say "no, I don't dare", go for that little boring, supposedly invisible said, and then do the resultant writing acrobatics required to beef up your text in other manners than a quick speech tag. That's what you've got to decide, do, wrestle with.

And then, if you ever manage to get published and acquire a huge following, I hope you let some of those other tags back into your manuscripts. There's a reason they are a part of the language. They provide precision that said does not. Under no circumstances should language rules be left in the guardianship of a few people who believe in invisible words. Seriously, readers aren't as fragile as editors would have the unpublished writer believe. They do not stumble and fall flat on their face at the first sign of an eruption, bark, bellow, shout, whisper, lie, or even a yodel.

Monday, May 01, 2006

Fourth sale today

Another Redemption One sold. Thank you to the buyer. :D

And some news:

Shayne of Erotic Dreams has asked me for another serial piece, so I'm working out details for that now. This was very nice. I'm pleased she liked my stuff enough to ask for another piece. And now to write it.

It's not so bad. I can add one more plot bunny to my garden. :D


Thanks again, buyer!
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Just released today

Just released: The Redemption of Tehlm Sevet: Volume One , the tenth book in The Soulstone Chronicles.

He's been locked in a stone for sixty-two years, without body, without the warmth of life, and the one man that means more to him than anything in the world is about to commit suicide. How does a Shadow Master manoeuvre situations to his betterment despite a bodiless existence?

Tehlm Sevet has never been reluctant to exploit people and circumstances, and he's no less reluctant now. However that his beloved Kehfrey has abandoned him to a cold stone at the bottom of a subterranean lake, he will find a way to break free, or bring his reluctant lover to him.

Buy it now. This novel is available both in ebook or paperback format.
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Another Redemption One

One more sold. Thank you to the reader. :D

And a small advisory. Heh, heh. I found a little now now in my manuscript. Yes. Now now, repeated words. The spellchecker didn't even notice, I guess because now now is sometimes used together. I just deleted that extra now and the revised ebook is already up. You can all download the latest version if you like. ::embarrassed grin::

Thanks again, to the reader who purchased Redemption One.
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Another Redemption sold

Another Redemption One left the storefront. Thank you to the buyer. :D

And now that I'm done that big edit and have it published, I'm onto finishing up stuff that I promised for Erotic Dreams, keeping my proofreading on schedule, or ahead of schedule for Torquere, and generally starting to get my butt out of the house to go for walks while it's not too hot outside. My poor dog, half St-Bernard, half Bouvier Bernois (no, I don't remember the English name of that breed), is a shaggy thing and gets too hot for decent walks mid-summer.

Not to mention it can turn into mosquito hell out there. Lots of woods. All you hear is this buzzing as they all come after you at once. And the horseflies will drive you nuts in the sun...

Yes! Thank you to the reader that purchased this copy of Redemption One! :D
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First sale goes to Kirstin

Heh, first sale of the first Redemption goes to Kirstin this morning. Thanks, Kirstin! Hope you enjoy it. :D
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April 2006 stat day

Those of you following my progress know I keep a stat day. It was on the 24th or 26th of the month, but that was getting hard to follow, and since Lulu posts royalties to me at month's end, I decided to put up my statistics at month's end. So here they are. Last month in parentheses.

Beginning with the download pages:

Memoware:
Gryphon One 1199 (932)
Bound One 1199 (930)

Lulu:
Gryphon One 684 (574)
Bound One 391 (389)

And now the hits on the home pages:

Bravenet 944 (738)
Yahoo 95 (83)

And last sales:

There were a measly two last month (I'm still crying). This month there were 39! Yay! All sales, all of them, were to strangers, I'll have you know. None of my family or friends have bought these books. I'm very proud of that. I'm not marketing to friends and family, and since I've managed to convince complete strangers to purchase any, it's a big win for me.

78 sales total so far. Eleven each of these were the Dispositions. This means eleven people have or will read nine of my books in this series. (Don't forget: Two books are free to read ebooks.) :D

But to get more readers purchasing the beginnings of the series? Don't want another two sale month. (Waaaah!)

So. On with the marketing!
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Second installment of The Beast in Beauty is up

The second installment of The Beast in Beauty by K.M. Frontain is out on Erotic Dreams Zine.

The title “The Beast in Beauty” is a play on the old fairytale we all know, but in this rendition, the beast isn’t your typical unfortunate male character who stupidly got himself cursed. In this story, the beast is a female, or rather a pair of females, and the unfortunate prince is not exactly the innocent or hapless type, and very disinclined to letting a curse, or anyone, get the better of him. The beasts in this story might wish they had passed their curse on to someone else. (warning: MMF/adult content)

Zine membership is free. Join-up and enjoy monthly installments of erotica.


And a little extra blurb for part two: our cursed prince already runs with a pack, or at least a subordinate hopeful, so watch out lady beasts.
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